In Our Lives We Are Whole: Snapshots of Everyday Life, 1935-1975

The most powerful and sustained vehicle for black self-representation and celebration did not require the cooperation of the media. Far from the stage sets of Hollywood and the advertising agencies of Madison Avenue, a simple, ever-present device was stoking a quiet visual revolution: the snapshot camera. As the popularity of increasingly inexpensive and easily accessible […]

Conquering Your Own Goliaths

Jazz on a Summer's Day, 1960 – For All The World To See – UMBC

The Legacy of “Jim Crow” – For All The World To See – UMBC

Emmy Andriesse On This Date in Photography: by James Mcardle

Sports Heroes – For All The World To See – UMBC

The Presentation of Self in Everyday Life - Wikipedia

The Need For Heroes – For All The World To See – UMBC

Protesting Pictures – For All The World To See – UMBC

Hyperrhiz: New Media Cultures

Introduction to User Research

Ghetto Comedies – For All The World To See – UMBC

The Variety Format – For All The World To See – UMBC

The Doll As Metaphor – For All The World To See – UMBC

Hyperrhiz: New Media Cultures

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